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Description of the Building
During the time of France’s Second Empire (1851-1870), French architects revived the mansard roof, a seventeenth-century design associated with the work of French architect Francois Mansart. In France, the Second Empire was a period of highly charged nationalism, and to the French people the mansard roof was a distinctly French innovation. To Americans, increasingly looking to Paris for the latest in fashion, the Second Empire style was a strikingly modern and sumptuous form of architecture. The most distinguishing feature of a Second Empire building is the steeply sloped mansard roof, often covered with slate or tin. The roof ridges were decorated with cast iron cresting. Ornamental eave brackets and quoins (decorative bricks at the corners of the walls) embellished the exterior design. The style was well suited to the flamboyant post-civil War and post-railroad era when ostentation and excess were desired and very fashionable.
A Second Empire house is
usually symmetrical with two or three stories and a projecting
central pavilion taller than the rest of the house. The windows are
tall and topped with classical moldings. The house is constructed
with a central hall and stair and adjacent room wings that allow use
of the rooms on either side of the hall without traffic circulation
through the rooms. Rooms on the first floor have
twelve-foot ceilings and the bedrooms have eleven-foot ceilings. All
bedrooms have walk-in closets. There is ornamental wood molding trim
throughout which is painted. Floors throughout the house are
hardwood and the finished walls and ceilings are plaster. All doors
and door and window trim on the first floor were changed to Arts &
Crafts-influenced style in the early 1908 as part of a major
"modernization". At the same time, two plate glass windows on
the downstairs from were installed. They replaced the original
four over four pane windows. The coal/wood stoves were also
replaced with steam radiators.
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